To see more of our branding, identity, graphic design, art direction and personal work go to www.ampersand.media

I have started a partnership with Geoff Waring. We are called HARPIN & WARING. Geoff has created most of the UK’s top upmarket women’s magazines, he launched Glamour and Red and has worked as design director on Vogue, he was creative

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To see more of our branding, identity, graphic design, art direction and personal work go to www.ampersand.media

I have started a partnership with Geoff Waring. We are called HARPIN & WARING. Geoff has created most of the UK’s top upmarket women’s magazines, he launched Glamour and Red and has worked as design director on Vogue, he was creative

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FourFourTwo

When I redrew the logo a few years ago the deputy art editor Barry Ainslie was keeping an eye on me. He had written his art college thesis on the brilliant Russian constructivist inspired design for FourFourTwo that my predecessor

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FourFourTwo

When I redrew the logo a few years ago the deputy art editor Barry Ainslie was keeping an eye on me. He had written his art college thesis on the brilliant Russian constructivist inspired design for FourFourTwo that my predecessor

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Stuff

The ultimate multimedia brand! The iPad edition is fabulous. The website is terrific. Great design team Chee-Chui Lee, Ross Presly, Will Clarke. Looks great across all the channels. Ross is doing an especially great job of the covers. Here’s what

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Stuff

The ultimate multimedia brand! The iPad edition is fabulous. The website is terrific. Great design team Chee-Chui Lee, Ross Presly, Will Clarke. Looks great across all the channels. Ross is doing an especially great job of the covers. Here’s what

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Autocar

Twenty two years ago I redesigned Autocar and created a brand for its 100th anniversary, as a consultant, after I had launched TopGear magazine for BBC Redwood. I’ve done many versions, but the yellow logo made all the difference, when

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Autocar

Twenty two years ago I redesigned Autocar and created a brand for its 100th anniversary, as a consultant, after I had launched TopGear magazine for BBC Redwood. I’ve done many versions, but the yellow logo made all the difference, when

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buyfontssavelives.com

I started the buyfontssavelives campaign. All proceeds go to Cancer Research UK and MacMillan Cancer Care. Matt Willey, who is presently design director for the New York Times (mattwilley.co.uk) and Joe Graham (typespec.co.uk) and Paul Hickson, the type designer, have

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buyfontssavelives.com

I started the buyfontssavelives campaign. All proceeds go to Cancer Research UK and MacMillan Cancer Care. Matt Willey, who is presently design director for the New York Times (mattwilley.co.uk) and Joe Graham (typespec.co.uk) and Paul Hickson, the type designer, have

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Event

Yasmin Arrigo is great, the editor. She just wanted a better brand. She is dogged, made me do many versions and she got exactly what she wanted for her readers, a more sophisticated, intelligent fun set of products.

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Event

Yasmin Arrigo is great, the editor. She just wanted a better brand. She is dogged, made me do many versions and she got exactly what she wanted for her readers, a more sophisticated, intelligent fun set of products.

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Classic & Sports Car

For the logo I got Tim Mulkern, a brilliant technical illustrator, to create a badge. If you look closely you can see the white, green and black glass have been melted to form enamel in the metal frame. You can

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Classic & Sports Car

For the logo I got Tim Mulkern, a brilliant technical illustrator, to create a badge. If you look closely you can see the white, green and black glass have been melted to form enamel in the metal frame. You can

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Haymarket Media Group

“I am hugely grateful for Paul’s incredible creativity and passion over the years. To say that he will be missed is an understatement: the quality of our brands are a lasting legacy to his amazing talents”.

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Haymarket Media Group

“I am hugely grateful for Paul’s incredible creativity and passion over the years. To say that he will be missed is an understatement: the quality of our brands are a lasting legacy to his amazing talents”.

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Marketing

I re-imagined this brand to work across all channels — web, iPad app, print, mobile, awards and events. I have converted a lot of weekly mags to online brands with monthly print versions. Designing new logos that will read small

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Marketing

I re-imagined this brand to work across all channels — web, iPad app, print, mobile, awards and events. I have converted a lot of weekly mags to online brands with monthly print versions. Designing new logos that will read small

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Olympic Dailies

Chris Barker and Tom Chase and Martin Tullett did miracle work getting these out. We spent six months producing all twenty seven complete issues. Then every day we updated and changed almost every page as events unfolded, then off they

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Olympic Dailies

Chris Barker and Tom Chase and Martin Tullett did miracle work getting these out. We spent six months producing all twenty seven complete issues. Then every day we updated and changed almost every page as events unfolded, then off they

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Olympics and Paralympics souvenir programmes

This was special, so I designed every page and commissioned for these myself, with the help of my friend, the lovely Ben Martin as my deputy. Jonathan Glynn-Smith, Sir Peter Blake, Malcolm Griffiths, Andrew Shaylor, Ian Dutnall, John Swannell, Michael

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Olympics and Paralympics souvenir programmes

This was special, so I designed every page and commissioned for these myself, with the help of my friend, the lovely Ben Martin as my deputy. Jonathan Glynn-Smith, Sir Peter Blake, Malcolm Griffiths, Andrew Shaylor, Ian Dutnall, John Swannell, Michael

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Olympics opening and closing ceremonies

Thomas Heatherwick designed the cauldron for the Olympic flame. I had admired his work for years (have a look at his designs for the British Pavilion for the Japan expo). I met him and his team in strictest confidence and

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Olympics opening and closing ceremonies

Thomas Heatherwick designed the cauldron for the Olympic flame. I had admired his work for years (have a look at his designs for the British Pavilion for the Japan expo). I met him and his team in strictest confidence and

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Olympics London 2012

Paul was one of the few designers in the company who put his hand up to help out doing shifts on the Olympic dailies in my time of need. He parked his (not inconsiderable) ego at the door, rolled his sleeves

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Olympics London 2012

Paul was one of the few designers in the company who put his hand up to help out doing shifts on the Olympic dailies in my time of need. He parked his (not inconsiderable) ego at the door, rolled his sleeves

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Brand Republic

My recent rebrand speaks for itself. Go on line and take a look. See www.brandrepublic.com

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Brand Republic

My recent rebrand speaks for itself. Go on line and take a look. See www.brandrepublic.com

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MIMS Learning, F1 Racing Pro, Autocar, Hort Week

Recent Haymarket projects: I launched a new monthly magazine, MIMS LEARNING — a brand that works across all channels. I worked with Colin Cooper, editorial director for Haymarket Medical and the publishing director Jenny Gowans; also a new business magazine

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MIMS Learning, F1 Racing Pro, Autocar, Hort Week

Recent Haymarket projects: I launched a new monthly magazine, MIMS LEARNING — a brand that works across all channels. I worked with Colin Cooper, editorial director for Haymarket Medical and the publishing director Jenny Gowans; also a new business magazine

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F1 Racing

Frank Foster does ideas. He is the kindest bloke. He accepted my redesign willingly. Since Thursday practice was scrapped access for producing this high quality monthly has been much harder, despite this Frank always pulls a great issue out of

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F1 Racing

Frank Foster does ideas. He is the kindest bloke. He accepted my redesign willingly. Since Thursday practice was scrapped access for producing this high quality monthly has been much harder, despite this Frank always pulls a great issue out of

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Haymarket Media Group

In 1995, when Haymarket’s consumer division needed a design director, Paul Harpin was top of our wish list. We’d seen his impact on the magazines he’d already designed and their publishers. It was an impressive list: Architects’ Journal, DESIGNER, the forceful-looking

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Haymarket Media Group

In 1995, when Haymarket’s consumer division needed a design director, Paul Harpin was top of our wish list. We’d seen his impact on the magazines he’d already designed and their publishers. It was an impressive list: Architects’ Journal, DESIGNER, the forceful-looking

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Army magazine, honours and awards

The Army magazine is the most awarded magazine of all time and that’s not due to me it’s due to Jonathan Butterworth and Martin Tullett and the editor Dave Burton. Our other awards: Architects’ Journal, Art Editor Magazine of the

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Army magazine, honours and awards

The Army magazine is the most awarded magazine of all time and that’s not due to me it’s due to Jonathan Butterworth and Martin Tullett and the editor Dave Burton. Our other awards: Architects’ Journal, Art Editor Magazine of the

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Pistonheads

Millions and millions of men go on this site. They talk cars and all kinds of twoddle to each other, and they sell their very expensive cars here. I was asked to redo the logo. In the end I just

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Pistonheads

Millions and millions of men go on this site. They talk cars and all kinds of twoddle to each other, and they sell their very expensive cars here. I was asked to redo the logo. In the end I just

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Design Council Magazine

Having worked on Creative Review, Designer for the CSD, Design Week and AJ I was very keen to win this pitch. We did a great poster of all the connections in the design industry — myself, Lewis Blackwell and Jan

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Design Council Magazine

Having worked on Creative Review, Designer for the CSD, Design Week and AJ I was very keen to win this pitch. We did a great poster of all the connections in the design industry — myself, Lewis Blackwell and Jan

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Haymarket Network

I’ve had the privilege over many years of working with many of the great creative people in UK publishing. Paul is right up there with the very best. His bold, clean designs are unambiguously Harpin’s mark. No designer can be paid

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Haymarket Network

I’ve had the privilege over many years of working with many of the great creative people in UK publishing. Paul is right up there with the very best. His bold, clean designs are unambiguously Harpin’s mark. No designer can be paid

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editorial design organisation

In 2007 I was the founding chair for a new organisation to promote great editorial design. Our aim was to hold lectures, debates, and functions to provide continued professional development to members and students can come along and learn about

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editorial design organisation

In 2007 I was the founding chair for a new organisation to promote great editorial design. Our aim was to hold lectures, debates, and functions to provide continued professional development to members and students can come along and learn about

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Campaign

Roland Schenk created this, the first ever business magazine in this bold format. And it had many admirers and was much copied. Like all his successors I have tried to maintain the heritage of his design. This redesign was tricky

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Campaign

Roland Schenk created this, the first ever business magazine in this bold format. And it had many admirers and was much copied. Like all his successors I have tried to maintain the heritage of his design. This redesign was tricky

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Management Today

Jon Butterworth and myself worked closely in 2014. We introduced a smaller logo and moved the very clever strapline “Not just business as usual” into the secondary coverlines. My previous redesign had helped the magazine win sequential Business Magazine of

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Management Today

Jon Butterworth and myself worked closely in 2014. We introduced a smaller logo and moved the very clever strapline “Not just business as usual” into the secondary coverlines. My previous redesign had helped the magazine win sequential Business Magazine of

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Berkeley

I had to create a luxurious coffee table magazine for the property company Berkeley who had been voted Britain’s most admired company. I used the font Archer by Hoefler & Frere-Jones, which they developed originally for Martha Stewart Living magazine.

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Berkeley

I had to create a luxurious coffee table magazine for the property company Berkeley who had been voted Britain’s most admired company. I used the font Archer by Hoefler & Frere-Jones, which they developed originally for Martha Stewart Living magazine.

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Champions

This launch issue was created by Barry Ainslie. His attention to detail is second to none, He became art director for The Guardian sport section and sport magazines. Everything locked to a three point grid!

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Champions

This launch issue was created by Barry Ainslie. His attention to detail is second to none, He became art director for The Guardian sport section and sport magazines. Everything locked to a three point grid!

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PR Week

It’s red and and black and white all over. Strong graphic messages. The logo is a square to make a strong icon for all channels especially for awards, social media, favicons, web and mobile.

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PR Week

It’s red and and black and white all over. Strong graphic messages. The logo is a square to make a strong icon for all channels especially for awards, social media, favicons, web and mobile.

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What Car?

My recent redesign of this major brand for all channels resulted in an 8.5% increase in the mag’s  circulation.

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What Car?

My recent redesign of this major brand for all channels resulted in an 8.5% increase in the mag’s  circulation.

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What HiFi?

Buying guides are designed to be direct and clear. The logo scores highly in recognition.

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What HiFi?

Buying guides are designed to be direct and clear. The logo scores highly in recognition.

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Haymarket Network

Harpin’s fellow designers see his skills clearly. Paul Yelland, former design boss of Autocar, FourFourTwo, the Army and FHM, says: “Paul has the capacity to approach each new challenge with a completely fresh attitude, unburdened by previous experience. It is this clarity

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Haymarket Network

Harpin’s fellow designers see his skills clearly. Paul Yelland, former design boss of Autocar, FourFourTwo, the Army and FHM, says: “Paul has the capacity to approach each new challenge with a completely fresh attitude, unburdened by previous experience. It is this clarity

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Forever Sports

This is a quite remarkable recent launch. Paul Frost the art director has made a really special mag. He is a talent and will go right to the top in the industry. Martin Tullett has already guided him through fifteen

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Forever Sports

This is a quite remarkable recent launch. Paul Frost the art director has made a really special mag. He is a talent and will go right to the top in the industry. Martin Tullett has already guided him through fifteen

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FA Cup Final programmes

Every year we had the pleasure of designing this for the FA. Joy!

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FA Cup Final programmes

Every year we had the pleasure of designing this for the FA. Joy!

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Practical Motorhome and Practical Caravan

These are travel magazines that test the products you need to travel. They excite through destinations and provide essential reviews of kit and vans. It’s always sunny in Caravan land.

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Practical Motorhome and Practical Caravan

These are travel magazines that test the products you need to travel. They excite through destinations and provide essential reviews of kit and vans. It’s always sunny in Caravan land.

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Haymarket Consumer Media

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Haymarket Consumer Media

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.32 America’s Cup magazine

Louis Vuitton sponsored the America’s Cup. They needed an upscale fashion and sailing magazine. Tim Scott, Florencia Douek and Duncan Spires art directors delivered for all the clients.

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.32 America’s Cup magazine

Louis Vuitton sponsored the America’s Cup. They needed an upscale fashion and sailing magazine. Tim Scott, Florencia Douek and Duncan Spires art directors delivered for all the clients.

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People Management

It’s absolutely brilliant when the people who work with you just do a fantastic job and you don’t have to change a thing. Martin Tullett, the group art director for Haymarket Network achieved this. He created a superb business title

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People Management

It’s absolutely brilliant when the people who work with you just do a fantastic job and you don’t have to change a thing. Martin Tullett, the group art director for Haymarket Network achieved this. He created a superb business title

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Work

Following People Management the second launch was for senior HR managers. Every issue is brilliant — just slightly better than the last. That is hard to do. Martin Tullett at his best, he had the idea of using modern artists

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Work

Following People Management the second launch was for senior HR managers. Every issue is brilliant — just slightly better than the last. That is hard to do. Martin Tullett at his best, he had the idea of using modern artists

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Haymarket Media Group identity

I refreshed Haymarket’s corporate in 2012. The original logo (below) which I created with Duncan Spires is about to be updated for their UK office move to Twickenham.

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Haymarket Media Group identity

I refreshed Haymarket’s corporate in 2012. The original logo (below) which I created with Duncan Spires is about to be updated for their UK office move to Twickenham.

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Haymarket Media Group

“Paul Harpin, we salute you! The passion, the talent and the darn right hard work have been an inspiration to many. Myself included”.

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Haymarket Media Group

“Paul Harpin, we salute you! The passion, the talent and the darn right hard work have been an inspiration to many. Myself included”.

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Haymarket Network identity

Loved doing this new identity for our content marketing agency

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Haymarket Network identity

Loved doing this new identity for our content marketing agency

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Jaguar magazine

Securing a Jaguar motor racing magazine led to the Jaguar mag account, this led to the books and then the brochures. I designed the motor racing magazine and Jason Simmons took it on. I designed the first issue of the

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Jaguar magazine

Securing a Jaguar motor racing magazine led to the Jaguar mag account, this led to the books and then the brochures. I designed the motor racing magazine and Jason Simmons took it on. I designed the first issue of the

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Haymarket Network

Having an inspirational top bloke at the design helm, with your originality, experience and enthusiasm has been one of the reasons I have hung around for so long. I know you and Geoff will make an awesome team. He is

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Haymarket Network

Having an inspirational top bloke at the design helm, with your originality, experience and enthusiasm has been one of the reasons I have hung around for so long. I know you and Geoff will make an awesome team. He is

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Jaguar brochures

To our surprise, and probably due to our high standard of design and creativity for the magazines we were asked to pitch for all Jaguar’s brochures. We won. In their creation Ben Martin and Simon Wallis put an amazing amount

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Jaguar brochures

To our surprise, and probably due to our high standard of design and creativity for the magazines we were asked to pitch for all Jaguar’s brochures. We won. In their creation Ben Martin and Simon Wallis put an amazing amount

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Jaguar year books

I started this project and Duncan Spires, who is one of the best commissioners of photography I have ever worked with, took them to a higher level each year. Thanks Duncan.

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Jaguar year books

I started this project and Duncan Spires, who is one of the best commissioners of photography I have ever worked with, took them to a higher level each year. Thanks Duncan.

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England football programmes

In 2007 I helped retain the contract to produce the England programmes by designing their strategic report ‘The FA’s Vision 2008-2012′. The contract is still secure.

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England football programmes

In 2007 I helped retain the contract to produce the England programmes by designing their strategic report ‘The FA’s Vision 2008-2012′. The contract is still secure.

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Autosport

See the brilliant new website designed by Amar Vijay — www.autosport.com — Click on the new top navigation bar. I love that, all that direct access to detailed information, very clever. The present magazine art editor Lynsey Row is a real

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Autosport

See the brilliant new website designed by Amar Vijay — www.autosport.com — Click on the new top navigation bar. I love that, all that direct access to detailed information, very clever. The present magazine art editor Lynsey Row is a real

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Haymarket Consumer Media

For 19 years we have marched behind Paul’s creative lead. Under his stewardship we’ve seen rivals launched against us and then close, having failed to dent our market share. Does he have a style? None that I can see. No trademark signature

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Haymarket Consumer Media

For 19 years we have marched behind Paul’s creative lead. Under his stewardship we’ve seen rivals launched against us and then close, having failed to dent our market share. Does he have a style? None that I can see. No trademark signature

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Manchester United magazine

It was an honour to create the magazine for Man United. Our team were mostly fans, every month I would meet with Mark Wheeler about the cover design, which usually featured one on their superstars, and to talk football. As a

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Manchester United magazine

It was an honour to create the magazine for Man United. Our team were mostly fans, every month I would meet with Mark Wheeler about the cover design, which usually featured one on their superstars, and to talk football. As a

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Manchester United programmes

Out brilliant team led by Ian McLeish, including the excellent art director Mark Wheeler also produced all the programmes. Man U were winning in a lot of competitions. so from time to time it became a random twice-a-weekly. The journalists

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Manchester United programmes

Out brilliant team led by Ian McLeish, including the excellent art director Mark Wheeler also produced all the programmes. Man U were winning in a lot of competitions. so from time to time it became a random twice-a-weekly. The journalists

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Nike — Goodbye Hoof, Hello Nutmeg

A Panna (cage football) competition was the theme for Nike’s world cup promotion. This little square magazine was produced jointly with the creative team at Wieden+Kennedy London, FourFourTwo journalists and a massive team of designers to support the campaign. Almost

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Nike — Goodbye Hoof, Hello Nutmeg

A Panna (cage football) competition was the theme for Nike’s world cup promotion. This little square magazine was produced jointly with the creative team at Wieden+Kennedy London, FourFourTwo journalists and a massive team of designers to support the campaign. Almost

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Sky Sports

We designed and produced many versions of sports magazines for Sky Sports over the years. I designed this early one in ’96.

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Sky Sports

We designed and produced many versions of sports magazines for Sky Sports over the years. I designed this early one in ’96.

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SPIKES

SPIKES was designed by Ewan Buck then Tim Scott. It’s intention was to change the perception of Athletics for spectators and fans. It worked!

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SPIKES

SPIKES was designed by Ewan Buck then Tim Scott. It’s intention was to change the perception of Athletics for spectators and fans. It worked!

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England Cricket programmes

I hired Tom Chase straight from Norwich which has an excellent editorial design course run by Victoria Winteringham. This was Tom’s first art editor job. He worked on the Olympic dailies, left for GQ and then came back to be

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England Cricket programmes

I hired Tom Chase straight from Norwich which has an excellent editorial design course run by Victoria Winteringham. This was Tom’s first art editor job. He worked on the Olympic dailies, left for GQ and then came back to be

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Liverpool programmes

This contract lead to so much programme work for Haymarket Network. The cover pic is by the very graphic and gritty Steve Orino. He would simply hold the football in his hand.

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Liverpool programmes

This contract lead to so much programme work for Haymarket Network. The cover pic is by the very graphic and gritty Steve Orino. He would simply hold the football in his hand.

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Haymarket Asia

We appointed Andy Martin as Creative Director for Haymarket in Asia based in Hong Kong. He had won an internal contest to study UX for a year and with his experience on Manchester United programmes etc. and his early career

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Haymarket Asia

We appointed Andy Martin as Creative Director for Haymarket in Asia based in Hong Kong. He had won an internal contest to study UX for a year and with his experience on Manchester United programmes etc. and his early career

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Haymarket Asia

Paul has been a mentor to many of us over the years, and I personally have a great deal to thank him for. He lets you get on with it, but he’s always there when you need that voice to

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Haymarket Asia

Paul has been a mentor to many of us over the years, and I personally have a great deal to thank him for. He lets you get on with it, but he’s always there when you need that voice to

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RallyXS

The WRC were massively promoting Rallying, in the UK it came to channel four. I did a very active bold design for the visually stunning sport. Mark Wheeler was the art editor.

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RallyXS

The WRC were massively promoting Rallying, in the UK it came to channel four. I did a very active bold design for the visually stunning sport. Mark Wheeler was the art editor.

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TWO

Two Wheels Only was an acquisition that I had to redesign. Steve Moore, who eventually became design director for our Sydney office had started his career on motorbike magazines, so I made him art editor. Bertie Simmonds and Grant Leonard,

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TWO

Two Wheels Only was an acquisition that I had to redesign. Steve Moore, who eventually became design director for our Sydney office had started his career on motorbike magazines, so I made him art editor. Bertie Simmonds and Grant Leonard,

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One Aim

One Aim evolved from purely a magazine to support their new GP team to help actvate all their sports sponsorship which was extensive. Ben Martin and Jo Spreadborough did some of the best commissioning of photography and illustration, not only

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One Aim

One Aim evolved from purely a magazine to support their new GP team to help actvate all their sports sponsorship which was extensive. Ben Martin and Jo Spreadborough did some of the best commissioning of photography and illustration, not only

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Haymarket Consumer Media

Paul, your designs have influenced me greatly, even before I knew what an editorial designer was. What I did know for my 19-year-old self was how fantastic the Autocar McLaren F1 book was and how it came to influence my career. That

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Haymarket Consumer Media

Paul, your designs have influenced me greatly, even before I knew what an editorial designer was. What I did know for my 19-year-old self was how fantastic the Autocar McLaren F1 book was and how it came to influence my career. That

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GPX

We had the whole motor sport patch well-covered with Autosport, MN and F1 Racing. Some teams like Jordan and BAR were trying to reach a younger fan base so we launched this crazy kids magazines full of pit posies, gags

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GPX

We had the whole motor sport patch well-covered with Autosport, MN and F1 Racing. Some teams like Jordan and BAR were trying to reach a younger fan base so we launched this crazy kids magazines full of pit posies, gags

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Sony Magazine

Stephen Hopkins and Martin Tullett the group art director for Haymarket Network developed the magazine to bring all Sony channels together, hardware, film, games etc. all working together and feeding off each other.

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Sony Magazine

Stephen Hopkins and Martin Tullett the group art director for Haymarket Network developed the magazine to bring all Sony channels together, hardware, film, games etc. all working together and feeding off each other.

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Haymarket

I first met Paul in February 1996 in London, just before it was announced he would be our new creative director. As soon as he started, he changed the design culture at Haymarket. His enthusiasm and drive, both for his

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Haymarket

I first met Paul in February 1996 in London, just before it was announced he would be our new creative director. As soon as he started, he changed the design culture at Haymarket. His enthusiasm and drive, both for his

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Third Sector

Redesigned with a new logo that works for all channels. Stephen Cook is a very well respected business journalist and deserves great success with the relaunched brand. The logo and top strip both have three sectors. This cover is all

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Third Sector

Redesigned with a new logo that works for all channels. Stephen Cook is a very well respected business journalist and deserves great success with the relaunched brand. The logo and top strip both have three sectors. This cover is all

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Haymarket Consumer Media

Mark Payton, editorial director of Haymarket Consumer, said: ‘Paul is creative in the truest sense. Yes, he’s a brilliant designer – but that’s only part of the story. ‘I’ve watched Paul leave business colleagues lost for words by articulating in

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Haymarket Consumer Media

Mark Payton, editorial director of Haymarket Consumer, said: ‘Paul is creative in the truest sense. Yes, he’s a brilliant designer – but that’s only part of the story. ‘I’ve watched Paul leave business colleagues lost for words by articulating in

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Classic fM magazine

We had a pair of classical music magazines. Classic fm was a popular foil to the Gramophone. Sandra Marques was the art editor for this issue.

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Classic fM magazine

We had a pair of classical music magazines. Classic fm was a popular foil to the Gramophone. Sandra Marques was the art editor for this issue.

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Gramophone

Beautifully written trusted music reviews and wonderful feature designs by Clare White, Rupert Gale, Lynsey Row and Paul Carpenter. The Gramophone Awards were simply a delight to attend.

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Gramophone

Beautifully written trusted music reviews and wonderful feature designs by Clare White, Rupert Gale, Lynsey Row and Paul Carpenter. The Gramophone Awards were simply a delight to attend.

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eve

Haymarket bought eve from BBC magazines. It was terrific working with Sara Cramer the editor, Jo Sams the creative director and Jessica Gibson the publisher and Jo Morrell the publishing director. All went on to have brilliant careers in the

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eve

Haymarket bought eve from BBC magazines. It was terrific working with Sara Cramer the editor, Jo Sams the creative director and Jessica Gibson the publisher and Jo Morrell the publishing director. All went on to have brilliant careers in the

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The Royal Wedding Programme

Rupert Heseltine came into my office and asked me if I’d design the Royal Wedding programme. I thought, well I’ll be blowed. We commissioned Mario Testino for portraits, a new Coats of Arms was created for Catherine and Michael Hill

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The Royal Wedding Programme

Rupert Heseltine came into my office and asked me if I’d design the Royal Wedding programme. I thought, well I’ll be blowed. We commissioned Mario Testino for portraits, a new Coats of Arms was created for Catherine and Michael Hill

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X Factor magazine

For one year we had great fun producing an X factor magazine for Simon Cowles company. The art director was the lovely Mark Taylor who had cut his teeth on Heat magazine. Amy Galvin moved from the magazine to the

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X Factor magazine

For one year we had great fun producing an X factor magazine for Simon Cowles company. The art director was the lovely Mark Taylor who had cut his teeth on Heat magazine. Amy Galvin moved from the magazine to the

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UK the guide

One of Haymarket’s earliest customer magazines. It had been very well art directed by the talented Wayne Ford. Ewan Buck created this issue. The mag promoted the alternative side of British culture for prospective tourists. The cover featured Anna Friel.

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UK the guide

One of Haymarket’s earliest customer magazines. It had been very well art directed by the talented Wayne Ford. Ewan Buck created this issue. The mag promoted the alternative side of British culture for prospective tourists. The cover featured Anna Friel.

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Wanderlust

A few tears ago Haymarket had a share in Wanderlust magazine. I helped advise Graham Berridge their excellent art director to inspire his redesign. He’s a great guy.

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Wanderlust

A few tears ago Haymarket had a share in Wanderlust magazine. I helped advise Graham Berridge their excellent art director to inspire his redesign. He’s a great guy.

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1994: FOUNDING PARTNER THE MAGAZINE CONSULTANCY

McLAREN F1 ROAD BOOK: Autocar were struggling with their deadline. In just one week, we photographed the car doing over 210mph on the track, as a work of art, in the studio and on the road in the North Yorkshire

/ 4,090 Comments

1994: FOUNDING PARTNER THE MAGAZINE CONSULTANCY

McLAREN F1 ROAD BOOK: Autocar were struggling with their deadline. In just one week, we photographed the car doing over 210mph on the track, as a work of art, in the studio and on the road in the North Yorkshire

/ 4,090 Comments

1996: I BECAME CREATIVE DIRECTOR FOR SPH MAGAZINES IN SINGAPORE

The flagship title is HER WORLD. It was a delight working in Singapore for a year with Tan Wang Joo editorial director, Caroline Ngui and John de Souza the fashion director. Linda Tom and Ewan Buck were my two deputies.

/ 4,429 Comments

1996: I BECAME CREATIVE DIRECTOR FOR SPH MAGAZINES IN SINGAPORE

The flagship title is HER WORLD. It was a delight working in Singapore for a year with Tan Wang Joo editorial director, Caroline Ngui and John de Souza the fashion director. Linda Tom and Ewan Buck were my two deputies.

/ 4,429 Comments

BRIDES

In Singapore the wedding business is huge. Many of our stylists had separate businesses to style brides for their big day. We launched a quarterly supplement that helped boost the record circulation of the Her World redesign issue.

/ 4,236 Comments

BRIDES

In Singapore the wedding business is huge. Many of our stylists had separate businesses to style brides for their big day. We launched a quarterly supplement that helped boost the record circulation of the Her World redesign issue.

/ 4,236 Comments

HOME & DECOR

Monthly interiors magazine. The best selling Asian english language homes magazine

/ 5,028 Comments

HOME & DECOR

Monthly interiors magazine. The best selling Asian english language homes magazine

/ 5,028 Comments

Gardeners’ World

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Gardeners’ World

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1989: I BECAME CREATIVE DIRECTOR FOR REDWOOD PUBLISHING

We launched eight BBC magazines. I noticed at the time that gardening journalists are really nice people. I worked with Adam Pascoe on this BBC magazine launch, Gardeners’ World. It became the number one best seller. Abigail Dodd the art

/ 4,317 Comments

1989: I BECAME CREATIVE DIRECTOR FOR REDWOOD PUBLISHING

We launched eight BBC magazines. I noticed at the time that gardening journalists are really nice people. I worked with Adam Pascoe on this BBC magazine launch, Gardeners’ World. It became the number one best seller. Abigail Dodd the art

/ 4,317 Comments

TOP GEAR magazine

Jim McLure and myself  worked closely with Jeremy Clarkson on the first cover. Every car you could buy in the UK was photographed by Frank Herdholt at Brooklands. Jeremy also wrote all the captions for issue one.  They made the

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TOP GEAR magazine

Jim McLure and myself  worked closely with Jeremy Clarkson on the first cover. Every car you could buy in the UK was photographed by Frank Herdholt at Brooklands. Jeremy also wrote all the captions for issue one.  They made the

/ 7,842 Comments

CLOTHES SHOW magazine

I sat on Jeff Banks office floor and drew this logo. We wanted something bold (for all channels we would say today) for the TV programme, the Show and the new magazine. It sold 145,000 copies a month, but this

/ 7,060 Comments

CLOTHES SHOW magazine

I sat on Jeff Banks office floor and drew this logo. We wanted something bold (for all channels we would say today) for the TV programme, the Show and the new magazine. It sold 145,000 copies a month, but this

/ 7,060 Comments

Good Food

Mike Clowes, one of my deputies at Redwood and Martin Dixon did a brilliant launch and Angela Dukes made it and all time Classic. Angela now owns Food & Travel magazine, Mike became editorial director for AOL and Martin is

/ 4,533 Comments

Good Food

Mike Clowes, one of my deputies at Redwood and Martin Dixon did a brilliant launch and Angela Dukes made it and all time Classic. Angela now owns Food & Travel magazine, Mike became editorial director for AOL and Martin is

/ 4,533 Comments

M&S magazine

This was very rewarding and very hard work. Client as perfectionist. So pleased to see the magazine has lasted and lasted, in very much the same successful format. Andrew Egan my Art Director moved to New York and set up

/ 4,497 Comments

M&S magazine

This was very rewarding and very hard work. Client as perfectionist. So pleased to see the magazine has lasted and lasted, in very much the same successful format. Andrew Egan my Art Director moved to New York and set up

/ 4,497 Comments

EXPRESSION

The first ever high quality customer magazine. At this time we did many european versions on three levels of quality for this award winning magazine that Mike Lackersteen had launched so beautifully and my deputy at Redwood, Rami Lippa, developed

/ 4,662 Comments

EXPRESSION

The first ever high quality customer magazine. At this time we did many european versions on three levels of quality for this award winning magazine that Mike Lackersteen had launched so beautifully and my deputy at Redwood, Rami Lippa, developed

/ 4,662 Comments

In Touch

How could we make a fashion magazine without clothes! Tactel (that became Lycra) was trying to get it’s fabrics used for Haute Couture. It was already successful in hosiery and active sportswear. I worked with the brilliant Angelo Savaides, who

/ 4,737 Comments

In Touch

How could we make a fashion magazine without clothes! Tactel (that became Lycra) was trying to get it’s fabrics used for Haute Couture. It was already successful in hosiery and active sportswear. I worked with the brilliant Angelo Savaides, who

/ 4,737 Comments

UPBEAT

It was in BUPA’s interest to keep people well. We produced one of the UK’s first healthy eating, well-being and keep fit titles for their customers.

/ 4,361 Comments

UPBEAT

It was in BUPA’s interest to keep people well. We produced one of the UK’s first healthy eating, well-being and keep fit titles for their customers.

/ 4,361 Comments

BSB TV MONTH

I worked in partnership with Martin Lambie-Nairn’s company and a former colleague at Banks and Miles, Nick Simmions, to create a listings magazine for BSB, the forerunners of Sky TV.

/ 6,963 Comments

BSB TV MONTH

I worked in partnership with Martin Lambie-Nairn’s company and a former colleague at Banks and Miles, Nick Simmions, to create a listings magazine for BSB, the forerunners of Sky TV.

/ 6,963 Comments

SOLUTIONS

Voted the best use of design and use of illustration, Business SOLUTIONS and Business INNOVATIONS it’s sister title were CRM products we made for computer giant UNISYS. Becky Hughes was the art editor.  

/ 4,681 Comments

SOLUTIONS

Voted the best use of design and use of illustration, Business SOLUTIONS and Business INNOVATIONS it’s sister title were CRM products we made for computer giant UNISYS. Becky Hughes was the art editor.  

/ 4,681 Comments

Which?

The success of the Gardening Which? gave me the chance to launch the integrated and for the first time full colour Which? magazine. They were joining Which? and their DIY, Money and Car magazines into one bigger product. The magazine

/ 3,622 Comments

Which?

The success of the Gardening Which? gave me the chance to launch the integrated and for the first time full colour Which? magazine. They were joining Which? and their DIY, Money and Car magazines into one bigger product. The magazine

/ 3,622 Comments

1987: I BECAME GROUP ART DIRECTOR FOR CENTAUR

At 30 I was lucky enough to get my first Group Art Director position. At Centaur we launched ten new weeklies in four years.  I was proud to be in charge of the look of the industry bible, Creative Review.

/ 5,239 Comments

1987: I BECAME GROUP ART DIRECTOR FOR CENTAUR

At 30 I was lucky enough to get my first Group Art Director position. At Centaur we launched ten new weeklies in four years.  I was proud to be in charge of the look of the industry bible, Creative Review.

/ 5,239 Comments

Design Week

One of my nineteen titles at Centaur was Design Week. It was launched by my wife Clare White, Bob Bateman, my predecessor at Centaur and Jeremy Myerson (who now runs the Helen Hamlyn Foundation at the RCA) as editor. Linda

/ 4,924 Comments

Design Week

One of my nineteen titles at Centaur was Design Week. It was launched by my wife Clare White, Bob Bateman, my predecessor at Centaur and Jeremy Myerson (who now runs the Helen Hamlyn Foundation at the RCA) as editor. Linda

/ 4,924 Comments

Marketing Week

Centaur’s flagship title was Marketing Week. At that time it was making 56% net profit and taking over 2 million pounds a year from the advertising and marketing industries.

/ 5,383 Comments

Marketing Week

Centaur’s flagship title was Marketing Week. At that time it was making 56% net profit and taking over 2 million pounds a year from the advertising and marketing industries.

/ 5,383 Comments

DESIGNER magazine

At this time I was also working at lunch time on DESIGNER magazine for the Chartered Society of designers with the extremely talented and slightly naughty editor Alistair Best.  

/ 4,879 Comments

DESIGNER magazine

At this time I was also working at lunch time on DESIGNER magazine for the Chartered Society of designers with the extremely talented and slightly naughty editor Alistair Best.  

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1986: BUSINESS MAGAZINE VOTED MAGAZINE OF THE YEAR

Conde Nast and the Financial Times joined forces with the Irish Entrepreneur Kevin Kelly for this huge launch. David Hillman did the original design. The art director was the excellent Debra Zuckerman. I was her deputy. Rami Lippa, Yuriko Kishida

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1986: BUSINESS MAGAZINE VOTED MAGAZINE OF THE YEAR

Conde Nast and the Financial Times joined forces with the Irish Entrepreneur Kevin Kelly for this huge launch. David Hillman did the original design. The art director was the excellent Debra Zuckerman. I was her deputy. Rami Lippa, Yuriko Kishida

/ 4,162 Comments

AJ Supplements

I used the talented Ian McKinnell to create abstract product photographs for the covers. This breeze block was shot with a very long lens to flatten the perspective.

/ 3,665 Comments

AJ Supplements

I used the talented Ian McKinnell to create abstract product photographs for the covers. This breeze block was shot with a very long lens to flatten the perspective.

/ 3,665 Comments

1984: ARCHITECTS JOURNAL VOTED MAGAZINE OF THE YEAR

I loved creating this modernist weekly for the Architectural Press. I took over from Simon Esterson. My illustration commissioning was quite adventurous. This image was by Dan Fern who became head of Graphics for the Royal College of Art. My

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1984: ARCHITECTS JOURNAL VOTED MAGAZINE OF THE YEAR

I loved creating this modernist weekly for the Architectural Press. I took over from Simon Esterson. My illustration commissioning was quite adventurous. This image was by Dan Fern who became head of Graphics for the Royal College of Art. My

/ 3 Comments

Gardening Which?

My first magazine was a launch for the Consumers Association. I was working for their design consultants Banks and Miles with the lovely John Miles. Two of my deputies went on to great success. Bruce Duckworth formed the successful packaging

/ 4,328 Comments

Gardening Which?

My first magazine was a launch for the Consumers Association. I was working for their design consultants Banks and Miles with the lovely John Miles. Two of my deputies went on to great success. Bruce Duckworth formed the successful packaging

/ 4,328 Comments